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1320. The light in the dark

Wang Yifan couldn't help but turn his head to look at Chen Shaojun.

"Yes! This movie was made."

Wang Yifan was really surprised.

"The cool night scattered light creates isolation and anxiety. The lens turns to the mirror hanging on the inner wall of the door. The light source comes from the dim light in the corridor. It reflects the water traces in the potholes on the ground, forming a blue-gray scattered light, which is coldly presented in the mirror. The use of this mirror echoes the distant aisle and the darkness above, which makes the light and dark contrast of the entire picture particularly strong."

"I didn't realize that you still have this ability." Wang Yifan said.

Chen Shaojun said proudly: "That is necessary, you can't ruin your gold medal screenwriter's book, right?"

In fact, at the same time, many film critics felt a little surprised.

After all, "The Devotion of Suspect X" was actually a commercial movie.

But as a result, Chen Shaojun's version of "The Devotion of Suspect X" gave them a lot of surprise.

Although most veteran film critics are not as picky as they used to be because they want to have a meal, they are essentially more fond of literary and artistic films.

Although "The Devotion of Suspect X" is a commercial movie, the exciting layout of light, color and other aspects made them feel a little stunning when they watched it.

The previous bags and the current mirrors can be said to be very interesting dark lines.

A briefcase, or someone else's bag, can be said to be a symbol.

And mirrors are also another metaphor.

The video continues.

The stone god stood in the corridor, turned his back and twisted the key to open the door. He was very slow.

The scattered light formed a contour on him, presenting a silhouette effect.

This effect suddenly became lonely, a cold and gloomy atmosphere immediately appeared, as if he would be swallowed up by the gray and blue darkness at any time.

This is the wonderful use of the lens.

"Ba"

At this time, the camera switched to the subjective perspective of the Stone God.

When the other party's door closes slowly, the angle of the mirror reflects light and shadow will change.

The light source in the mirror changes on the picture, and the warm light in the other party's house reflects from the mirror into a beam of light hitting Shi Shen's face.

This is nothing, the key is that the most obvious difference is that when the door is closed, the warmth disappears in an instant.

This kind of picture actually lasts very short. Most people don’t think there is anything, but they just have a very obvious feeling. The previous stone god and the current stone god are completely two people.

But in fact, the real reason is that the mirror and the warm light of the knife!

The contrast between light and dark is very obvious.

But in the eyes of film critics and filmmakers, how similar is this scene to the previous opening scene?

However, the difference is that at the beginning, that scene first created a lonely and depressing atmosphere, and then with the appearance of Chen Jing and his daughter, they began to add other colors to the original black, gray and white as the main color picture, and a more "live" color.

The seagull then stopped on the long lamp that was unstable, and the long lamp began to shine.

It is a process of turning from depression to hope and light.

And the scene here can be said to be exactly the opposite.

When the door opened, warm light shone on the Shi Shen's body, making him look more "human".

But the moment the door closed, it seemed as if he had become the original weird guy who was indifferent to anything!

In this regard, Chen Shaojun did handle this very well in this movie!

After saying so much, the movie has just begun.

The movie continues.

This time the lens is close-up aimed at the keyhole.

What's interesting is that he didn't have the key in his hand.

When you enter the room, the audience is surrounded by the walls and blackboards filled with formulas.

The blue and darkness make the space particularly small, and the small desk lamps gather all the attention of the audience.

In fact, this is also intentional, because if the space is too large, it will naturally not conform to the character of the Stone God.

Similarly, there is another advantage of narrow space, that the audience can see at a glance, and the desk lamp is the light source, which can naturally gather all the attention of the audience, because it is very small here!

Shi Shen sat in front of the desk, with an ordinary small mirror in front of him, and inside the mirror lens was a vertical floor-standing wall clock behind him.

Ding! The bell rings in my ears.

A trace of thought appeared in Shi Shen's eyes, and the texture of the movie gradually became warmer and red.

This color change is actually to let the audience know at a glance that this is the memory of the stone god.

The camera gave a close-up, a steel compass slowly, gently, slowly, quietly cutting the wrist.

At this time, the camera was pulled up and shot from top to bottom, but the man's face was not captured.

But it made the audience suddenly understand that Shi Shen, he had committed suicide.

At the same time, it also made the audience understand how the centipede scar on his wrist at the beginning of the film was caused!

This made many viewers even more curious. The name of this movie is "The Devotion of Suspect X". To be honest, the name of this movie is very strange.

Of course, many people still understand.

He is a genius, but not a genius belonging to this world. He is a defender, but he cannot see the appearance of heaven.

In his heart, heaven is probably the way a library is?

Of course this is the memory of the Stone God, so he must have failed.

It is not difficult for many viewers to guess why he failed.

Obviously this has something to do with the mother and daughter next door.

Dingdong!

The doorbell broke the prelude to the death of the Stone God, as if the temperature of blood in the dark brought the warmth of life.

"Hello, is anyone at home?"

The knock on the door and the gentle greeting made him suddenly smash a stone in his unchanging life.

This scene made many viewers and film critics understand why, in the previous chapter, why, the Stone God was originally in the shadow, in an extremely depressing environment.

The appearance of the mother and daughter will make him look like a person.

It turns out that they have a story!

In the cramped and dim space, Shi Shen, who faced the camera, slowly stood up.

He opened the door.

At this moment, it can be said that it has the same effect as the warm light in Chen Jing's room before.

But this time it's more obvious.

The sun shines in the room, and the subjective human lenses first blinked, and then I saw Yanfang Mei and Yanfang, who were wearing a warm smile in front of me and the little loli with a cute two-pony tail, that is, Chen Jing's daughter, holding a pot of small wild flowers, standing at the door!

"Hello, I am a new neighbor. Didn't you disturb you? The child may practice playing the flute every day, I hope you don't mind it-"

Chen Jing's eyes were curved, and her smile was filled with fatigue.

"It doesn't matter."

The conversation between the two has always been subjectively shot by the Stone God.

"Uncle, I'll give you this pot of flowers."

The little girl held a pot of small flowers and handed it to the stone god who was covering her wrist!

The camera, a close-up of slow motion, a drop of blood slowly landed on the ground, and two smiling faces reflected in the blood beads.

Bang, blood scattered everywhere, like a figure of flowers. It was like a small wild flower swaying in the wind in the little girl's hands.

In this scene, Zhang Weiming saw a glimmer of light flashed in his eyes.
Chapter completed!
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