He Jun looked at Wang Yifan with a resentful look and said, "I am not the number one in the box office in China. Although the data is very beautiful, you know, I am being put on a crater and I am waiting to see my next movie. How will it collapse?"

Wang Yifan couldn't help but smile and said, "Not, not!"

"But, are you really not tired? You don't need to take a break?" Wang Yifan asked again.

He didn't believe it when filming "Wolf Warrior", and He Jun didn't feel tired.

in the country, making commercial movies is absolutely huge pressure on directors.

Because, when the filming is finished during the day and others are resting, the director cannot rest. He still has to review the materials he shot during the day and prepares the shooting plan for the next day.

If not, you need to reshoot it, wait and see.

It can be said that the director needs to do everything himself.

In this regard, the domestic director-centered system does have great disadvantages.

In Hollywood, it is actually not that tired, because most of the time, directors don’t need to be so tired.

After all, the producers are not like in China in Hollywood, they are basically a decoration.

There is no say in the movie.

In Hollywood, producers usually go over the show!

Of course, most directors in Hollywood probably have envious of the power of domestic directors.

After all, unless the domestic crew and director are the tools, the director is basically the biggest.

"I'm tired, but I'm even more worried about not having a show to shoot." He Jun said.

"There is no show to shoot? I'm afraid the notebooks I want to ask you to film now can fill your house with your house?" Wang Yifan said angrily.

"Hehe, that's not, there's no good book, so, that "Operation Red Sea"..." He Jun said embarrassedly, then looked at Wang Yifan with a look of hope.

"You don't feel tired, of course I don't care. I'll let the screenwriter fill in the script later. I'll give you a lot of things in "Operation Red Sea" overlap with "Wolf Warrior". It's the most appropriate thing for you to continue filming." Wang Yifan said with a smile.

Operation Red Sea can be said to be another version of "Wolf Warrior".

However, in comparison, the box office potential of "Operation Red Sea" is difficult to compare with "Wolf Warrior".

He Jun left with a smile.

For him, the results of "Wolf Warrior" are indeed honors, but they are also pressures.

However, with Operation Red Sea as the poster, he finally breathed a sigh of relief.

As for Hollywood, He Jun feels that he has already hugged Wang Yifan's thighs. If there is a suitable opportunity, can he ignore himself?

Wang Yifan is destined to be very busy tonight.

In fact, although these domestic directors who have worked with him seem to have put down the bait, they seem to have put down the bait, Hollywood's A-level production, in fact, compared with Ali Media's previous achievements, they are more willing to believe Wang Yifan.

Of course, it doesn't mean that no one is moved.

However, Zhou Zhan was the first to come over, which really surprised Wang Yifan.

Because, in Wang Yifan's opinion, Zhou Zhan is not the most urgent type. After all, Zhou Zhan is not completely a commercial film director.

He is actually a literary and artistic director.

In fact, what he is best at is not a commercial movie.

Among the many major directors, Zhou Zhan is actually the weakest in business.

But as the saying goes, a hundred flowers bloom and a hundred schools of thought contend. Zhou Zhan is unique among many great directors, and his ability is also due to his ability.

What Zhou Zhan is good at is that the balance between business and art is still difficult to achieve now, but the same ability makes Zhou Zhan's movies often different from commercial popcorn movies.

According to some viewers, that is, if other commercial movies are popcorn, then Zhou Zhan’s movies are the more chewy popcorn.

Something that can make people occasionally reminisce.

But for people in the literary and artistic film industry like Zhou Zhan, in fact, domestic films are still mainstream in commercial films.

Literary and artistic films, it can be said, are becoming more and more declining.

The main reason is that the current movie market in China is booming, but what is exploded is the box office market of movies.

Normally, commercial films are becoming popular and the film industry is beginning to explode. It seems that it is also an opportunity for literary and artistic films?

This is true. In fact, the domestic film market does not mean that literary and artistic movies cannot be accommodated.

But can the audience be cultivated in a short period of time?

Hollywood has a special art cinema chain, and the reason why it can continue to operate has become a normal situation because people have cultivated a group of audiences with relatively high levels.

These people are usually the main audience of the art cinema chain.

In fact, the biggest problem in China is not that the country does not support it, or that there is no living space for art films.

It is because domestic films have just started and have risen too quickly, which has led to the audience, and the audience is still the same group of viewers. Everyone's attitude towards movies is still mainly entertainment, but has not yet risen to the level of appreciation.

For this reason, domestic filmmakers in the literary and artistic circles often go out. What’s interesting is that they usually don’t give these literary and artistic films too many opportunities.

So, Zhou Zhan and his group of early literary and artistic film directors became a little embarrassed.

In the early years, when the domestic market had not yet risen, these literary and artistic film directors were doing very well.

At that time, commercial film directors were always struggling.

Because commercial films usually have larger investments, but at that time, the domestic film market was very small and could not make any profit.

On the contrary, it was literary and artistic films. At that time, because the domestic literary and artistic film directors had their ideas and ideas all received European film images.

Therefore, the movies they make are usually accepted by the three major European film festivals.

For this reason, they went to the film festival, got awards, and then sold overseas copyrights, which made them feel extremely comfortable.

But today is different from the past.

The three major European film festivals began to get closer to Hollywood and were influenced by Hollywood.

In the early years, the Berlin Film Festival was tough and refused promotional advertisements from Hollywood movies.

But the result was that after that year, the Berlin Film Festival's influence dropped drastically.

In the end, it still compromises with capital.

As more and more literary and artistic film directors in countries began to follow the route of the three major European film festivals, they naturally had more monks and fewer meat. The Chinese directors were able to get less and less wool in the three major European film festivals.

This makes their lives harder and harder.

Those who know how to adapt began to transform into making commercial movies, but soon they will find that commercial movies are never easier to shoot than literary movies.

The result is even more embarrassing!
Chapter completed!