Tuesday, August 16, at around 8 a.m., the TV station sold on the Japanese TV station, the crew office of the "Detective Twilight" and the conference room.

With Nakamura Sachie's drinks coming, there was also a handsome man in his thirties.

"Detective Maori, this is the screenwriter of Duf Kata."

Screenwriter Kata Duf said: "Hello, Detective Maori, it's great that you can come."

Maori smiled and said, "Where are you, you are so kind. I just provide some examples for you to reference. You are the ones who really wrote them."

Conan asked excitedly: "Nah, you are the screenwriter of Katan Dof. Did you write that "The 52nd Secret Room"?"

Screenwriter Katan Duf laughed and said, "Yes, you like it too."

"I like it very much." Conan asked, "What did you think of it?"

"It was just that when I saw someone working on the construction, I had an idea and thought of it."

Screenwriter Kata Duf and Conan talked about the TV series "Detective Twilight" in this way, and Lan joined.

Nakamura Satoe talked with Maori, bringing the topic to the previous cruise incident and circling Yamazaki, but then it was basically Maori who was talking about it alone.

Satoe Nakamura was a good listener and said a few words to Yamazaki from time to time, so that Yamazaki would not be idle.

Yamazaki felt a little emotional. It seems that the receptionist must also have some professional standards.

This chat lasted for more than half an hour, and it was less than nine o'clock in the morning, and then a tall and thin man in his forties came in.

"Ah, this one is..."

"Ah, this must be the famous detective Kogoro Mori. I am Akira Sakuma. Please give me some advice later."

Screenwriter Sakuma Aki interrupted Satoe Nakamura's introduction and walked over directly.

Maori quickly stood up and said, "Where is it? Please give me some advice later."

Screenwriter Kata Duf stood up and said, "Senior Sakuma."

Screenwriter Sakuma Akira said, "Kata, you came so early, it's just Yagami."

"What do you want to drink?" Satoe Nakamura said, "Mr. Yagami said he would go back to the city's house to worship yesterday, and I guess he didn't come so early today."

"Then let's have a cup of coffee."

"Okay, please wait."

Satoe Nakamura left, and screenwriter Sakuma Aki sat down and then he hosted the chat room. However, his ability to treat guests was too poor, and everyone except Maori was in a mess.

Not long after, Satoe Nakamura came back and saved the scene...

At around 9:30 in the morning, Producer Ryoko Inoue led a big belly man in his fifties to come in.

Screenwriter Kata Duf stood up, "Teacher Yaji."

"Why did you come?" said screenwriter Akira Sakuma.

"Sorry, sorry, there's a traffic jam."

Producer Inoue introduced: "Mr. Maori, this is the editor-in-chief of Yagami."

"Detective Maori, I'm Yeji Yagami. I'm so sorry for keeping you waiting for a long time."

"Hello, hello."

The producer Inoue high-five and said, "Okay, please sit down, let's go straight to today's topic."

Editor-in-chief Yagami said: "Who can you pour me a cup of coffee?"

"Yes, I'll go now." Satoe Nakamura responded.

"I'll go. Teacher Yaji is most satisfied with the coffee I make." Screenwriter Kata Dov laughed, and then said to Yumari and others, "I'll bring you another cup of drinks."

Screenwriter Kata Doof went out without waiting for everyone to answer, and Yamazaki followed up as an excuse.

I just felt the danger, which came from screenwriter Kana Duf.

He doesn't know what he wants to do.

However, it can be predicted that his motivation is talent but cannot be used.

Conan likes his script, which shows that he is talented, but from what he learned from the chat just now, there are not many episodes shot according to his script.

In other words, he was suppressed, and the pressure should come from his qualification system. The editor-in-chief of Yaji, who is big but has a small mind, is also responsible...

Tea room.

Yamazaki found screenwriter Kata Doof and could feel the danger emanating from him. He was planning to kill people.

Screenwriter Kata Dufu came over, "Ah, you don't have to come here, I can do it alone."

While speaking, the danger in screenwriter Katan Duf dissipated.

Yamazaki said: "No, it's a presumptuous thing for me to find you. I think you are very talented, but I don't receive attention. I want to introduce a new work environment to you, which is Mihua TV Station, and you will lead a team."

Screenwriter Katan Duf was caught off guard, "Well, aren't you kidding?"

"No joke," Yamazaki said, "and the procedures and fees related to job change are all handled by Mihua TV. You don't have to worry about it. I believe that you can earn back the relevant fees for Mihua TV. You have this value."

Because of being affirmed, screenwriter Katan Duf was a little moved, "Thank you, thank you."

Yamazaki said: "But the question now is whether you are willing to believe me. Even if I call someone now, if you think I am lying to you, I can't prove it now."

"It's okay," said screenwriter Kata Duf, laughing, "it's not for a moment anyway."

"Yes." Yamazaki smiled, thinking to himself that since screenwriter Kata Duf said that, he said that he was not going to do anything now, and then said, "Then, please give me your mobile phone number. When I have time, I will take you to Mihua TV Station, and then you decide whether to change jobs for yourself."

Screenwriter Katan Duf hesitated for a while and decided to go for a trip. After all, there was no loss. "Okay, I'll ask you then."...

Conference room.

I don’t know the progress of the meeting. Anyway, Maori has said a lot of cases, and Satoe Nakamura made the meeting minutes.

However, in Yamazaki's view, Yagami made the second editor-in-chief seem to be perfunctory. Perhaps he was dissatisfied with Uncle Maori's participation in the screenwriter. He was forced to agree to find Uncle Maori's materials due to the pressure of ratings.

The meeting was not until twelve o'clock noon, and the producer Inoue looked at the watch, "Well, Mr. Maori, you have already told many cases. Thank you very much. If you don't mind, can you let me treat you to lunch?"

"Ah, then it's better to obey your duty than respect." Maori agreed immediately.

The producer Inoue looked at the editor-in-chief of Yekami, screenwriter Sakuma Aki and screenwriter Kada Duf.

Yagami asked the second editor to agree, and screenwriter Sakuma Aki and screenwriter Kada Dufu also stayed.

"Then, Miss Nakamura, I'll ask you here and come to find us later."

"Yes, Team Leader Inoue."

Ruakamura Satoe sorted out the conference room, and the producer Inoue and three screenwriters accompanied Maori out, and Ran pulled Conan to follow him.

Looking at Satoe Nakamura who was packing things, Yamazaki felt that this was also a talent, so he decided to take her with him later...

The lunch was quite rich, but there was no drinking and the atmosphere was not very good, so it ended quickly.

"Okay, I came in a hurry in the morning and hadn't returned home yet. Now I dare to go back and take a look, so I left first."

"I've lost my companion, and some information needs to be sorted out."

The second editor-in-chief of Kamikawa and Akira Sakuma left the door and said goodbye first.

"Then, Mr. Maori, we will go back first. Thank you for your advice. If your case is used in the script, I will explain it to you again."

"Okay, thanks for the hospitality."

The producer Inoue took her people away, and Maori changed into a bitter face, "Okay, we're back too."

Lan was very surprised, "Yeah, dad, why are you suddenly unhappy?"

Conan smiled and said, "Because those screenwriters obviously don't plan to use the uncle's case. They just accepted the meeting because of the Inoue producer."

"No?" Lan was a little disbelief.

Maori glared at Conan, "A talkative boy, but he's right. What a mess." As he said that, he put his hand in his pocket and left angrily.

Yamazaki smiled and said, "Lan, I have something to do, so I won't go back with you anymore. Let me tell you about my uncle."

"Okay." Lan Ying said, then went to chase Maori, "Dad, go slowly."

Conan asked Yamazaki, "Hey, what do you want to do?"

“Help people introduce work.”

"Kanda Duf?"

"Yes, he stayed there and gave in."

"Ha, that's pretty good. I hope I can see his show earlier."

Conan got the answer and trotted to chase Lan.

Yamazaki shook his head funny, then called screenwriter Kata Duf with the phone...

Not long after, Japanese TV station sold outside.

Yamazaki met screenwriter Kata Dov and asked him to call Satoe Nakamura down.

"Miss Nakamura?"
To be continued...