Lu Xin took Fujiwara Miyuki back to the hotel where he lived. After a day and night of running around, Lu Xin was really tired and fell asleep on the bed.

Miyuki Fujiwara was lying on the same bed with him, looking at his handsome side face when he was sleeping, and wanted to imitate other female classmates to come to help and socialize with this big brother from China. No, if this big brother of China was willing to go with her, she would rather pay, but the big brother seemed to have no interest in her. He fell asleep when he returned to the hotel, as if there was no young and beautiful girl like her by his side.

Lu Xin continued to practice his oath of not touching Japanese women. Early the next morning, while Fujiwara Miyuki was still asleep, he quietly packed his luggage, checked out, took a taxi, and rushed to the Imperial House Museum in Tokyo.

Before he went there, Lu Xin thought that this museum would definitely be as crowded and heavily guarded as the Forbidden City in China. After he really arrived, he found that the imperial museum was sparsely crowded and there seemed to be no decent military and police guarding it. This little Japanese was a little arrogant.

Although he didn't see much defense power, Lu Xin still took care and walked to a remote corner. He used the Transformers, a branch skill of the gold-control superpower, to control the trace metal elements of his face muscles, causing some structural changes in the muscles, and instantly turned into a Japanese man with a stiff and bitter face. With a loose suit and slightly messy hair, he looked like a Japanese office worker.

The only flaw may be that when buying tickets, Lu Xin really didn't know Japanese, so he said a few words in English. His English was very good, and the ticket seller's little Japanese suddenly felt admiration. When he didn't look up, he thought he was an American. He raised his head in fear and fear, but found that this was a Japanese face. At that time, a little doubt arose in his heart, Nani, how could Japanese English be so good?

After buying the ticket, Lu Xin did not go straight to the topic to find the Golden Buddha, but wandered around the inside of the imperial museum, looking like an ordinary tourist. He was actually observing the hidden cameras in every corner, observing each checkpoint and guard.

After almost the observation was over, he stepped inside.

When entering the main hall, there is also a security check. However, no one searches the body. It is self-checked by the machine. If you bring any contraband in or any antiques, the machine will automatically call the alarm. This is not a problem for Lu Xin. At a critical moment, Lu Xin activated the super power of the gold control system, which can make the alarm device fail.

After entering the main hall, Lu Xin paid close attention to the guards and cameras in the venue. It seemed that the imperial museum was loose on the outside and tight on the inside, and the guards and cameras inside were obviously denser than outside.

Lu Xin first entered the exhibition hall of Japanese national treasures, which exhibited the relics of Japanese archaeological excavations from prehistoric to historical times according to the age, including stone tools, rope patterns, Yayoi pottery, filler wheels, Han-style mirrors, copper bells, ceramics and other treasures.

Lu Xin has always been disliked by Japanese culture, and he is extremely uninterested in Japanese history and cultural relics, so he did not take a closer look. However, some of the cultural relics here are national treasures designated by the Japanese government. Lu Xin focused on them, including ten statues of disciples, Fujiwara Buddhist paintings, snow boat splashing ink landscape pictures, Kano Nagato pines and cypress screens, etc.

Among these national treasures, there are not many items that are easy to carry. It seems that only a snow boat splashed ink landscape painting can be made into a scroll and taken away.

Lu Xin took a quick look at the flowers. After reading these so-called Japanese national treasures, he continued to walk towards the Toyota where the Chinese national treasures were stored.

Along the way, Lu Xinhua's most energy was to explore these surveillance cameras and guards to ensure completeness for later operations.

After he figured out the defense situation here, he devoted himself to finding the golden Buddha in the East Asian Pavilion.

During the search for the Golden Buddha, Lu Xin discovered that most of the exhibits were cultural relics from China, which were snatched from Japan from China. The exhibits include prehistoric stone tools and painted pottery, bronze tools from the Shang and Zhou dynasties, pottery and portrait stones from the Han Dynasty, Buddha statues from the Wei, Jin, Southern and Northern Dynasties, gold and silver tools and three-color paintings from the Tang Dynasty, porcelain and calligraphy and paintings from the Song, Yuan, Ming and Qing dynasties, buildings such as migrated black gates and school warehouses, as well as sarcophagus, stone statues, stone beasts, stone pillars, etc. Among the more than 90,000 collections in this museum, there are above.

Ten thousand Chinese cultural relics, the little Japanese shamelessly defined the "Scroll of Sleeping in Xiaoxiang" by Li Sheng of the Chinese Southern Song Dynasty, the "Red and White Lotus Picture" by Li Di of the Southern Song Dynasty, the "Snow Scenery Landscape Picture" by Liang Kai of the Southern Song Dynasty, and the "Zen Map of Broken Han Mountain" by Indra of the Yuan Dynasty as national treasures. In addition, there are "Search Picture of Crossing the Water in the Cave Mountain" by Ma Yuan of the Southern Song Dynasty, "Fishing Alone in the Cold River" by Zhu Duan of the Ming Dynasty, "Flower Picture" by Zhao Zhiqian of the Qing Dynasty, and the calligraphy works of famous artists such as Huang Tingjian, Zhu Xi, Zhao Mengfu, Bada Shanren, and Zheng Xie, many of which are priceless.

Shishi smiled and said, "Young master, what would you do if I tell you that there are hundreds of thousands of Chinese cultural relics in thousands of museums across Japan?"

"Take it back and count it as one piece!"

Lu Xin searched little by little, searched for thousands of Chinese cultural relics, and finally found a golden Buddha statue.

The Buddha statues in the window are plump and unique, somewhat similar to the portraits of Wu Zetian in history. Lu Xin is sure that this is the golden Buddha statue created by officials in a certain period of Wu Zetian to flatter Wu Zetian in order to take pictures of Wu Zetian's flattery.

Lu Xin looked at the golden Buddha carefully for a while, and after only a short while, he walked away. After all, China and Japan were fighting verbally for this golden Buddha. It is estimated that the little Japanese was staring at it tightly. If he took a too much eye on this, it would easily arouse the little Japanese's suspicion and would be detrimental to his actions later.

He turned around and walked towards other cultural relics, wandering around. While looking at other cultural relics, he studied how to retreat later and silently reviewed the retreat route in his mind.

He looked at the time and it was almost noon, so he was about to go out for a meal first, to accumulate energy, and to start planning in the afternoon. Suddenly, he found that something had happened in front of the golden Buddha in the distance.

He walked forward and looked carefully. It turned out that a middle-aged man who looked like a Chinese took out his camera and was about to take a picture at the Golden Buddha. The Japanese staff next to him rushed forward to stop him, and the two started arguing.

The middle-aged man in China shouted in English: "This is a cultural relic of our China, a cultural relic in an illegal situation. What right do you have to display it! I want to accuse you of international public opinion!"

The Japanese staff member was a typical Japanese middle-aged man with a mustache, looking at the middle-aged man in China with a contempt: "Who are you? What qualifications are you to say such things!"

The middle-aged man in China took out a document from his body: "I am Liu Zhenhua from the Huaxia Cultural Relics Protection Organization, I want to meet your director!"

The little Japanese smiled coldly: "You are from the Huaxia Cultural Relics Protection Organization, what are you doing in our Japan? Let me tell you that this golden Buddha was voluntarily donated by our patriotic merchants. The ownership belongs to our great Japanese empire. You should not be unreasonably entangled here!" (To be continued, please search Piaotianwen, the novel is better and faster!
Chapter completed!