snakehead animation company, at 1 a.m.

"I have a big toe on my right leg, but it's not a toe, but a Holy Sword" episode 6 Storyboard: Mizawa Hiroshi returned to his seat and sat on a chair, looking like he was about to die.

In animation production, storyboards are easy to understand. They are to draw the sketch of the shot in a plaid according to the requirements of scripts and animation supervision. As for the responsibility of the performance, the initial work needs to be completed is a painting meeting, which distributes the storyboards of hundreds of cards to the original artists, and at the same time specifically explains the costumes, moods, etc. of the characters in the storyboard, and conveys the effect they hope to the original artist.

The first step in the inspection of original paintings is also the performance. It is mainly to check whether the performance of the original painting meets expectations. For example, if you want to show anger, then whether the character is angry is good, whether it is necessary to re-draw or let the painting supervisor make corrections. If it is really unqualified, it will be returned for repair or directly reworked, which is probably to determine the "acting skills".

All content and performances will basically be participated in later stages.

To put it in another way, the performance is the director of a single episode.

So is it a pleasure to perform when the animation production team with tight construction schedules and low budgets?

Hiroshi Mizawa said he was so happy that he was also a storyboard. He wanted to leave on the spot from the moment he got the script and saw the name.

What a hell plan?

However, "Go to the fuck! Stop doing it!" In the end, it will become "Making money is important, making money is important."

Even if he is dissatisfied with this animation project, he still has to continue to do it. He has encountered many problems, many.

The construction period is too fast and the work time is not enough, so it is impossible to find a good original painting. If the original painting has no experience, the quality is the same as shit.

Mizawa Hiroshi has been hindering since he was painting a storyboard, and he even dared not think about the difficult shots because there is really no good original artist.

But even so, there are many problems that explode, and the deadline is getting closer and closer. Hiroshi Mizawa's mentality has changed. He has no time to check that the original drawing symbols are not in line with expectations. As long as it is not messed up and seen, it is almost the same. All the eyes are closed and signatures are given to the painting supervisor.

Tonight, it’s time to choose the “Revise the original garbage paintings for me!” and “Forget it.”

Hiroshi Mizawa picked up the original drawing on the side of the table and started checking.

Although he chose to relax the standards because of the construction period, and he would close his eyes and sign the signatures when he saw it, there are standards for relaxing the standards. If it is too chaotic, it will definitely not be passed.

After checking 3 cards in one go, Hiroshi Mizawa was a little confused. He basically painted the same thing, and the performance was not very ideal. He wanted to return it, but he didn't have much time left.

As mentioned earlier, generally speaking, animation production is carried out at the same time as assembly line. For example, if the first episode is broadcast, the third episode of the animation should be about to be completed, and the storyboard for the eighth episode has been drawn.

Of course, this is an ideal state.

The fourth episode of this "My Uncle" animation has been aired, and the sixth episode is still in the painting stage, and the progress has been greatly delayed.

Even the late photography will be done.

So Mizawa Hiroshi struggled for a while and still gave the three cards. Although the performance was very poor, at least it was done, and it didn't have much collapse, right?

Continue to check next.

Soon it was Gu Xue's turn to be responsible for the original painting of the two cards.

When Mizawa Hiroshi picked up one of the cards, he was stunned for a while when he saw the name.

He was impressed by these two cards because they were cards that required intense exercise for the protagonist. No one in the company was willing to take it or no one could draw it. The people who could draw were in another project. It was a thigh comic adaptation, and the focus of the entire company was on it.

I can only go to the original painter outside the company to draw.

Hiroshi Mizawa checked the first original painting. To be honest, there are many problems, such as perfunctory attitude, ordinary action design and performance effects, a lot of use of teleportation lenses, and some original paintings have slightly deformed movements, etc.

But what can he do? He is also very desperate. He has such a small budget and finally found an original painter who is willing to draw. It is fine if there is roughly no problem. The construction period is so fast, so how can I have time to rework?

Anyway, if you change the garbage lightly, and the requirements for a certain card are so high, the overall garbage smell will not disappear.

So Mizawa Hiroshi passed it happily.

He remembered that he had cleared the second original painting the day before yesterday, and he just brought it over today, so the speed was too slow.

But when he saw the name of the second original painting, he felt relieved.

It turned out to be that JK...

It seemed that he came in from the back door, and it seemed that there was something wrong with it. The animator was promoted to the original painting after half a year. The person responsible for the promotion of the exam must have let the water go, because Mizawa Hiroshi was responsible for the single-episode performance of a certain animation last year, and he also gave Gu Xue a card to Gu Xue, but Gu Xue was not experienced and skilled. She was so slow and bad that she didn't pass, and in the end it was someone who helped her complete it.

This year, Hiroshi Mizawa did not give her any other cards. When she was in the painting meeting, she looked down and sat in the corner because she did not get the cards. This made people feel very distressed.

This time I handed her the second original painting of 221,222 cards, mainly because there was no one, so it was quite troublesome to clear the manuscript, but the technical content was not high, which was just right for her.

"It's too slow." Mizawa Hiroshi sighed, unfolded the rule, took out the original painting, and started to check.

“…”

The first second I saw the original painting, Mizawa Hiroshi's breathing stopped, he suddenly stood up and threw it onto the table.

"There is no clearing at all!"

"What's wrong?" Hei Kojima, one of the painting supervisors in the sixth episode, happened to come to Hiroshi Mizawa and wanted to get some tea. As soon as he arrived at the office door, he heard Hiroshi Mizawa yelling and was startled.

Mizawa Hiroshima turned his head and looked at Kojima Hei, and said in a daze: "Miss JK has gone on strike, and maybe even the production has run away."

In fact, Gu Xue is quite famous in the company. Because she is too young, many people call her Miss JK privately...

As for why the production went on, it was because Gu Xue threw the original painting directly on the performance table...

"ha?"

Mizawa Hiroyang took the original paintings of the two cards in his hand and gave Hiroshima a look.

"Damn it." Kojima Hei was also shocked, "Does it take time to find someone to review the manuscript?"

"It's all we have to do if we don't have time." Misawa Hiroshi collapsed on the chair again, suddenly feeling very tired.

Of course he was angry, but this situation is actually not uncommon. The pressure of animation production is so great, it is normal for a sudden one or two original artists to run away or the production progress is not up to date.

Very normal...

The painting stage is the most likely part to have problems, and Hiroshi Mizawa has experienced all the problems of all sizes.

"So if you don't have energy, why do you still take on such a plan?" Mizawa Hiroshi threw the two original paintings that were not cleared at all, rubbed his eyebrows, and couldn't help but complain.

"This is not like what you can say. You have been doing it for so many years. Don't you know the current situation of animation production?" Kojima Hei smiled, picked up the tea leaves on Misawa Hiroshima's table, poured some on his cup, and joked with him.

"Ah~ Industry pills." Hiroshi Mizawa grabbed his hair, sighed, and then... continued to check the next card.

Not to mention the industry pills, even in the end of the world, he has to finish the work first, and then go and see if the production has run away.

However, as soon as he saw the first original painting of the next card, he was stunned. He always felt familiar and a little unfamiliar...

Keep flipping the next one, yes...

After flipping the whole, Hiroshi Mizawa's eyes lit up and he immediately picked up the next card.

After watching the whole thing again, he looked at the original artist's name.

On the other side, Kojima finished pouring the tea leaves, looked at Hiroshi Mizawa holding the original painting with a serious look, and shook his head with a smile, without disturbing him, and was about to leave quietly.

But he just walked to the door.

"Damn it!!" Mizawa Hiroshi suddenly stood up from the chair again and shouted loudly.

Kojima's shoulders shrank, turned his head and asked, "So what's wrong? Someone ran away again?"
Chapter completed!