The spring breeze blows on my face, the sun is gentle, and some cherry blossoms drift away and fall on my face, feeling very comfortable.

The Japanese cemeteries are as crowded as Japanese housing.

The heights are apart and arranged in an orderly manner.

Although I squeezed a little, I can still see which one is which one.

There is no way, Japan has nothing to do.

In fact, the reason why this island country can house so many people is that most of the houses are built in one household.

It is entirely because there are no restrictions on arable land in this country. In short, all places that can be used to build houses are used. As for other things, I have to squeeze in.

Even arable land can be treated like this, so even more so in cemeteries.

In front of a tombstone, there was a man wearing a suit, tall figure, sunglasses, and holding a golden human-shaped trophy in his hand.

When Kokoshi Higashino came here, he saw this scene.

Here is the tomb of director Yoshimitsu Morita.

The person standing is Yojiro Takita.

Kokoshi Higashino walked over and saluted at director Morita's tombstone.

after.

"Director Takita, today, should I also bury this little golden man?" Kokoto Higashino said this to Takita.

A smile appeared on the latter's face and shook his head, "Teacher Higashino, a golden palm should be enough to accompany him. I came today, just want to tell him that our movie won the Academy Award, and the news should be good enough. Then, I will stay this little golden man."

This is true.

What else can Koto Higashino say?

The two simply said goodbye to director Morita and walked slowly on the path.

At this time in Tokyo, cherry blossoms are flourishing.

Some of them floated on their shoulders, making people unable to bear to shake it off.

Higashino Kok and Takita were speechless for a moment, and seemed a little strange.

Could it be that I just came to comfort Director Morita?

In the end, Yojiro Takita couldn't help it.

"I think that "The Devotion of Suspect X" is quite perfect. Even if it is published in the current situation, it is definitely a masterpiece among the excellent works. Moreover, I believe that I can definitely shoot many of the details of this movie, but why hasn't the teacher published this movie yet?"

Yes, that's it.

Since watching "The Dedication of Suspect X" that Teacher Kigo has not published in the United States, Yojiro Takita has been thinking about it.

Of course he would.

As a great director, I have worked with Mr. Guiwu so many times, and it is great every time.

Moreover, there were other people coming to help.

However, everyone also gave a lot of suggestions, although... well, it's still quite entangled.

It seems that the narrative structure arrangement of this, namely, the murder of Hanaoka mother and daughter, both make sense and have advantages in front and back.

It's really hard to make a decision.

So, what is the result?

Which arrangement did Teacher Guiwu, also known as Teacher Higashino, choose?

And, what is the final ending of this movie?

In fact, the key to this problem is that Director Takita really wants to shoot it now.

But if Kotoshi Higashino doesn't publish it, how can he take it?

You should know that in Japan, films, TV series, and even cartoons can be regarded as derivatives of yes or comics.

Without the original work published, Director Takita is indeed famous enough now and is already the Oscar-best foreign language film director.

But he still couldn't take a photo.

Of course, Yojiro Takita has indeed received approval from Koto Higashino, that is, he will direct this movie.

There is absolutely no problem with this. Everyone is so familiar with it and such a friend.

Even if he announced in advance that he had shot this work, it would be fine, not to mention that Takita did not mention the name of the work he was going to shoot when facing the interview.

This is like the movie he directed, very detailed.

But what is your teacher Guiwu going to publish?

How did Kotoshi Higashino answer this?

But he smiled, "Director Takita, you might as well start planning now."

"Ha?" Yojiro Takita was confused.

Kokoto Higashino had to continue, "Although I haven't finished writing it yet and haven't published it yet, you can prepare it first, or even shoot it first. Didn't you just say that many details are enough. I believe you, Director Takita must be able to see the rough ending of this movie. The motives and general logic of the character Shi Shen are all very clear. These should be enough to shoot. For Director Takita, it's not a difficult thing, right?"

"This..." Director Takita had never encountered such a situation, but could he still say no?

Kokoshi Higashino continued to smile and said, "I have not made the final choice for this movie yet, but I can even tell you at the end that it should not affect the shooting of the movie. As for the issue of publication, I am not very anxious. Besides, the production of the movie will take a certain amount of time, right?"

If others say these words, Director Takita would probably turn around and leave.

How can you do this in your home?

But what was in front of me was Teacher Guigo. Director Takita knew in his heart that Teacher Guigo must have his reasons for doing this.

So, Director Takita tentatively said, "Teacher, you've actually finished writing it."

Higashino smiled but said nothing.

In this way, Director Takita laughed.

"Okay, I'll prepare now. Please rest assured. I will definitely take pictures of works that satisfy the teacher!"

Yojiro Takita, the first major director in Japan to win an Academy Award, comforted his old friends after dinner and got the answer he wanted.

So, why didn’t Higashino Kok yet publish this "Suspect x's Dedication"?

...

Roppongi.

The curtains in the apartment have been pulled, but it is actually late at this time.

Maybe I don’t want the night view outside to disturb myself.

Koko Higashino sat on one side of the table, and opposite was Mr. Keigo.

“Saikyo, are you ready?”

"Mr. Keigo, I should ask you this sentence?"

"Oh?saikyo, are you really so confident?"

"Mr. Keigo, you must understand this time that you don't know about this work. I remember very clearly that many of them are. Can you really deal with it? Moreover, there are legal issues in it. You are a science and engineering man."

"What? Can't engineering men do law? Let me tell you saikyo, I've been reading legal books recently."

"Hey, you guy, that's what I'm watching."

One person and one ghost are now like a confrontation.

In the center of the table, there is a stack of manuscript paper, and the top is clearly written.

"Victory is Justice".

That's right, Higashino Kok used this title, not the legal high in English. In fact, the English meaning is that as long as it is legal, it is supreme. To be more sensible, it means that it is within the scope permitted by law, and you can win.

And there are small characters below.

‘The record of Gumeimen’s lawyer’s defense, author, Dai Zhenzhizi’.

This is very interesting.

Generally speaking, this kind of small characters means subtitle.

But here, this small word seems to be saying that the author of this literary work is this "Daizhenzhizi".

So strange.

In fact, this is exactly the cleverness of Higashino Kok's naming.

Such a small subtitle will give people the feeling of reading a documentary document.

But in fact, of course, this one will have the word "Guiwu".

And this title actually completes a function.

Introduction.

The male and female protagonists of this film appear all of a sudden. The author is Dai Zhenzhizi, and the record is a guy named Gumeimen Lawyer.
To be continued...