After Wang Dahai finished speaking, he closed his eyes, and couldn't bear to hear the sound of hope being shattered.

After all, there is no reason to get something from capitalists? It is said that it doesn’t cost money, but free things are more expensive!

No matter what Hu Wenhai said, he is a capitalist after all! Even if he uses the new term that has emerged in the past two years, there is nothing good to call it an entrepreneur!

Although he comforted himself so much, Wang Dahai still felt a burst of regret. This is an imported shooting equipment. Not to mention foreign exchange, even if it is converted into RMB, it may cost millions of RMB.

The Imperial Capital Factory has a one-year financial allocation, and it is hard to say whether it can buy two or three units.

I just said something so happy, but I was all floating!

Wang Dahai's heart was so heartbroken that it was so painful that it was twitching.

But at this point, I can only close my eyes and wait for Hu Wenhai's "verdict".

Sure enough, within a moment, Hu Wenhai's voice rang.

"Okay, with Director Wang's words, I'll give this set of equipment!"

Wang Dahai sighed and was about to shake his head—

"Why?"

He suddenly reacted and looked at Hu Wenhai in surprise: "Mr. Hu means that we should also give our Imperial Capital Factory a set of imported shooting equipment?"

"It's almost the same, but it's not all for free."

Hu Wenhai nodded and shook his head, saying, "Director Wang thinks how is our domestic film level compared to the world film level and the level of Xiangjiang film?"

Wang Dahai lowered his head and thought for a while, and said confidently: "There are still differences, but we have our characteristics, which is not completely inferior to foreign movies."

"Oh? Even so." Hu Wenhai was a little surprised by Wang Dahai's confidence and nodded hesitantly.

Speaking of which, Wang Dahai’s words are not wrong, and Hu Wenhai even made a big mistake here.

In the 1980s, Chinese films were not as good as their artistic and popular domestic popularity.

However, because there is no box office pressure, Chinese films in this era tend to highlight their social significance.

Just like the contemporary crosstalk is called art, it is because it actively criticizes social ills, satirizes all kinds of social bad phenomena, and even bureaucratic satirizes crosstalk.

Later, Guo Degang's crosstalk developed towards the lower three ways. Although the market responded well, it was not necessarily as artistic as Feng Gong, which was just convenient for the revival of the feudal class master system.

In Chinese films in the 1980s, basically most contemporary dramas have their social significance. The themes of satirizing, criticizing and responding to social injustice are the mainstream of films.

From the social point of view alone, old movies in the 1980s were really confident.

On the other hand, Hu Wenhai was worried about the fact that there were rivers and flows in the imperial capital factory, and the public knowledge of scar literature, which was somewhat of a worry that he didn't understand the inside story.

Who are the actors in the Imperial Capital Factory in this era? Teacher Li Xuejian is still the peak of her appearance in her life. Aunt Cai Ming is so tender that she can get out of water with just one pinch. She is not inferior to female stars in Hong Kong and Taiwan. Tang Guoqiang conquered the hearts of girls across the country with the image of a young and handsome man in the Peacock Princess.

Basically, the actors and filmmakers of this era are still reliable in their thoughts.

Most of the unreliable thieves and public intellectuals were still mingling in media such as CCTV and newspapers in various places.

We have to find the dark side to please foreigners to win awards abroad. We will not develop and mature until the so-called sixth generation. These old filmmakers are not yet able to fall to the point of finding recognition abroad.

Hu Wenhai compared the future movies with Chinese movies of this era. After the 1990s, Chinese movies either had no money, no technology, or no ideas. There were only a few who could resist Liang, and they were hit by Hong Kong films on a large scale. Of course, they were unable to watch them since then.

But in the 1980s, those who made movies were still at least doing it with their hearts. Those who were actors still rely on acting instead of faces. Those who were distributors had not yet learned to hype and cover party, and those who were audiences were not so impetuous.

Therefore, if you look at the audience's acceptance, domestic movies at this stage are actually really amazing.

"That's right. I have some ideas. I hope to discuss them with Director Wang." Hu Wenhai pondered for a while and revealed his thoughts.

"Domestic films are very different from international films from the root, and have their own ideas and methods. However, with the progress of reform and opening up, many foreign things will come in, including foreign films."

"I remember there is a saying, "If you don't occupy the position of thought, others will occupy it." Let me put it this way, what I am very worried about now is that in a decade or twenty years, the thoughts in our Chinese people's heads are not designed by ourselves. Instead, they are completely followed by foreigners, especially Americans. Will our film market completely become a colony of Hollywood? After the return of Hong Kong, will our movies become Hong Kong movies for resurrection? Can our own things survive? I am very skeptical about this."

"What does Mr. Hu mean?" Wang Dahai was a little confused when he heard this. What kind of thing is Hu Wenhai fucking? Is this a question that capitalists should think about? Don't he regards himself as the Minister of Propaganda...

Of course, Hu Wenhai didn't know that Wang Dahai was quietly complaining about him that culture and art, to be honest, is indeed not a place he can worry about.

It’s not that he doesn’t have the qualification, but that there are too many things he needs to worry about now. The one-ticket business of Gongkou alone is enough to make him work for ten years. If it weren’t for the entire secretary group of Xinke Group to pre-process him, the documents he needs to read would be calculated in tons every day. So many things have to be arranged by him, so how can he have time and energy to take care of the ideological field that he can’t do.

But then again, movies, or film and television promotions, are not important or important, and are also important.

It doesn't matter if it is not eaten or drunk properly. Whether it does not affect the quality of life of a person. It can be said that it is important and important, at least Hu Wenhai doesn't want to show any American war-themed movies on the screen of Chinese movies in the future, just because the director is a banana man who speaks Chinese.

Think about it, if China in the future had no "The Weapons of Great Powers", no "China on the Bite of the Tongue", no "Super Project", no "Craftsmen of Great Powers", and even no "I Repair Cultural Relics in the Forbidden City", think about what would public opinion in society look like?

But looking back, what did the All-Star "The Founding of the Party" and "The Founding of the Country" look like? Compare the Decisive Series with the Great Decisive Battle?

Those excellent film and television works are too late.

Of course, from Hu Wenhai's perspective, what is more important is the competition for the right to speak.

Although the entertainment industry is not aware of the chaos behind the scenes, its impact on social public opinion cannot be ignored. It can be seen only by looking at the impact of Hollywood stars on society around the 2016 US election.

Several entertainment stars shouted twice on social networks, and the students on the California coast were so happy that they stopped going to school! Setting fires and smashing cars made it look like a carnival atmosphere.

It feels that the New Year atmosphere is stronger than that of the Chinese people at that time.

In China, Zhao ×, Li ×× and others, Feng ××, national husband Wang ××, and so on, there were so-called big Vs on Weibo. They said in private that if these people use their mouths well, they are all sharp swords.

Although Hu Wenhai didn't want to give him any moment, if he didn't maintain a certain influence in the field of public opinion, who knows whether others would give him any moment? He should not have the intention to harm others, and he should be wary of others.

In China, in the future, in the reality that Hu Wenhai himself cannot take the political route, this is also a talisman.

What's more, making movies is a good investment. If you invest some capital appropriately, you can also make a lot of profits.

He just needs to confirm the cast and the script of the movie, and it won’t take much energy, but it’s not surprising that a movie can make several times, or more than ten times the profit is, right?

Of course, Hu Wenhai has already had a lot of things, so there is no need to do it yourself in this field.

This is not a coincidence that the old class leader Zhixia has this interest. She is also in a prestigious school like Zhiqian. It seems that she performed well in being an actor in the Romance of the Three Kingdoms.

Put Zhixia in Xiangjiang with Hu Wenhai as your backing, and I think I can make a difference.

Well, I hope my old classmate Zhou Shuo knows that his dream lover, the old class monitor, was sent to Xiangjiang by himself, so don’t ask Hu Wenhai to fight to the death, hahahahaha!

Thinking of this, Hu Wenhai nodded and said, "What I mean is very simple. I have some connection in Xiangjiang. I wonder if Director Zhang is interested. Choose a group of people in the Imperial Capital Factory and go to the Xiangjiang film market to develop and develop. When Xiangjiang returns ten years later, our Chinese film market will not be all in the hands of those local buns. To be honest, even if there are real talents in Xiangjiang, the best is limited to the perspective of a small country and a small people. If the mainland film market is really controlled by them, the situation may be unimaginable!"

Zhang Dahai lowered his head and thought, as if he was making a nail under his butt, and asked in disbelief: "What Mr. Hu said is true. Can he match the film circles of the Imperial Capital Factory and Xiangjiang?"

"To be honest, I don't know anyone who makes movies in Xiangjiang."

When Wang Dahai heard Hu Wenhai's words, he opened his mouth and looked at him incredibly. The feelings, the whole bunch of words just now, were they so difficult to make me play with?

"However, I have a lot of relationships in the UK. If I go to Xiangjiang, I won't say anything else. Do you think Wei Yixin, the governor of Hong Kong, dare to say something wrong with me?"

Hu Wenhai sneered.
Chapter completed!