Zhang Yu nodded and said nothing more.

They are all very busy nowadays, and it is not easy to find time to get together.

What's more, there is another person currently in Yanjing.

"Are you sorry?"

Yang Ruoxue said something teasingly.

"How is that possible?" Yuan Xiang waved his hand and said, "I am a grown man, am I still shy?"

You're not shy, why are you blushing?

"Let's go!"

Zhang Yu did not continue to tease Yuan Xiang, but immediately found his seat and sat down.

Many people came to the premiere.

Familiar people did not gather together in small groups to chat, but sat down separately.

Occasionally, I have small talk with the person sitting next to me.

Zhang Yu's seat was among the main creative staff, and she did not sit with Yang Ruoxue.

Director Jiang Chengbin is sitting in the middle, with Cheng Jie and Chen Baoming next to him.

Zhang Yu sat next to Cheng Jie, and on the other side of him was the young actor Song Lei.

The premiere started soon, and Zhang Yu inevitably came on stage to share some interesting things about the filming.

Even some of them have been shared in previous promotions.

Zhang Yu is not the main actor in this movie, but is considered a "special appearance". The reason for promoting it so "hard" is purely because of Wang Mei.

A premiere is indispensable for interaction with the audience and close contact with media interviews.

At the end of the premiere, Zhang Yu took the stage.

The song "Wukong" makes the audience feel a different Monkey King.

In everyone's impression, the Monkey King may be someone who tramples the sky and is so unbridled and unruly.

But here, the golden hoop is holding the head, and I can't even speak.

What he moved was the song "Wukong" by Dai Quan.

The moon splashes across the stars, and the road is long.

The wind and smoke are gone, and the only shadow is dim.

This is a sad song.

Just like Goku's fate.

From the high-spirited Monkey King who caused havoc in the Heavenly Palace, to Wukong who was bullied by monsters day and night, to the final battle to defeat the Buddha who "cultivated his true self".

Wukong's fate only gave Buddhism an extra monkey, but the world lost a blood that would never come again.

At the end of Journey to the West, Wukong seemed to have picked up the golden hoop, and the Tathagata said with a high-sounding sentence: "I am happy that you concealed evil and promoted good. You have made great achievements in refining demons and subduing monsters on the way. From the beginning to the end, you will be promoted to a great position and achieve great results. You will win the battle."

Buddha".

Couldn’t it be that Sun Wukong was given a more profound golden hoop?

It’s possible to escape from tangible restraints, but what about invisible imprisonment?

The song "Wukong" abstracts that Wukong is a good person.

He is naughty, but kind in nature. In the end, it is because he is a good person by nature that he cannot defeat the gods and Buddhas in all directions.

What do I need this iron rod for? So what if I have this change?

He can't be as bad as those sanctimonious gods and Buddhas.

No matter how skilled a child is, how can he defeat a cunning opponent?

Calling him Buddha will lead to no return, because he is not worthy.

Kneeling down as a teacher does not matter life or death, because he only chooses for his conscience.

This song uses Wukong as a metaphor for life.

It is the theme of Journey to the West, but it is not the theme of Journey to the West.

However, this song is very consistent with the setting of the character Wukong in "The Great Sage".

Zhang Yu once chatted with director Jiang Chengbin.

He said: "When we were young, who among us was not frivolous? We all had to be unruly, to be different ourselves, to be people who would not compromise with fate."

"We even sneer in the bottom of our hearts and laugh at our elders who have been smoothed out by society. But who of the old people in their twilight years didn't have great ambitions and high spirits back then?"

"What we can see is the rickety figure of the previous generation. What we can't see through is the life they carried on their shoulders."

"And one day, we will also grow old. We will also be invisible to others."

Zhang Yu didn't have a deep understanding of Jiang Chengbin's words.

Because he is still young, he is not yet one of the "us" in Jiang Chengbin's words.

However, this does not mean that he cannot understand.

When I was young, I had a lot of abilities, but I was lonely. I had a lot of righteousness, but I had a bumpy road.

Many times, I know that I am right, but I am always bound by the worldly perspective. Sometimes I doubt myself, what is the use of everything I have? But in the end, I am still unwilling to accept it, so I fight.

But when you get old and realize it, you will become empty.

The monkey originally sold face to the Tathagata and spared his own life. But we can only sell face to fate and live like dogs.

"The moon splashes across the stars, and the road is long. The wind and smoke are gone, and the shadow is dim. Who told me that I have extraordinary skills, and who made me suffer from the dilemma of love and hate, and eventually my heart was broken..."

In Zhang Yu's vicissitudes of life and grandeur of singing, the ancient charm comes to your face.

Many people are confused. They don't know what the connection between this song and the Monkey King, the Monkey King, is in their hearts.

However, someone heard it.

They seem to see the back of a person who has experienced countless setbacks, pain, and difficulties.

Sun Wukong?

It seems reasonable.

In the soundtrack, the flute appears, and the ancient charm becomes more intense.

"When the fantasy world is empty, don't harbor grudges and have demonic debts in your heart."

Gradually, everyone's imagination of Wukong became three-dimensional.

Between heaven and earth, they seemed to see the back of Sun Wukong who had lost his wild nature, wearing a golden hoop on his head and an iron rod on his shoulders, facing the wind and sand, heading westward.

Atmospheric, yet desolate.

Zhang Yu's desolate singing touched the heartstrings, and my heart became very quiet, so quiet that I felt lonely.

I was so lonely that I felt like crying for no reason.

Has Monkey King become "Wukong"?

So this movie is actually a sad thing.

Some things, once lost, will never be available again.

For example, life, and another example is edges and corners.

"Call Buddha, and there will be no chance of turning back. Kneel down and be your teacher, life or death has nothing to do with it."

The high-pitched voice that sounded like a Peking Opera was like a sad but irreversible bow and arrow, which pierced the hearts of many people!

After singing the two lines, many in the audience felt inexplicably shocked!

I don’t think Mingli is the most appropriate word to use here.

But this is not the end.

"...the world of good and evil floats in the real and false world, and the separation and gathering of earthly connections are unclear and difficult to break..."

Accompanied by an arrangement that combines modern and classical music, Zhang Yu vented his passion.

He sang what the song wanted to express.

He was addicted to this song, and he remembered the dialogue of a certain novel: I want this day, no longer able to cover my eyes! I want this land, no longer able to bury my heart! I want this, all living beings understand

My will! I want all those Buddhas to disappear into thin air!

And is this possible?

impossible!

So, he was left with nothing to ask himself

"I want it, what's the use of this iron rod? I want it, so what about this change? I'm still uneasy, still melancholy, with the golden hoop on my head, I can't talk anymore."
To be continued...