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Chapter 646 Old songs from more than 20 years ago, you say trendy?(2/3)

The prelude sound at the beginning of the song is - piano.

It's strange that the sound of the piano here gives people a sense of desolation.

Everyone had agreed before that when listening to the song for the first time, no one would make a sound.

So everyone is making eye contact and talking with their eyes.

Lu Yi said in his heart: "The prelude creates a sense of atmosphere again!"

“This effect was actually achieved using only the piano!”

After the simple but wonderful piano sound looped several times, a whistle appeared!

Yes, this instrument sounds a lot like a whistle.

But it's not that sharp sound, but a melodious sound with a twist of wonder.

It’s like time and space are twisting and traveling!

"Absolutely amazing! The piano sound in front and the whistle here are both amazing!"

Then, Luo Mo's singing cut in at this moment.

To be precise, it doesn't even sound like singing, but like whispering or humming.

The people present were all professionals, even first-class songwriters, but even so, some people didn't even realize what Luo Mo was singing.

Lu Yi didn't understand it at the beginning, but after taking a look at the lyrics, he immediately understood it.

"Native phonetic symbols! He is singing native phonetic symbols!" Lu Yi could be said to be astonished.

You're not just humming, you're actually singing something!

This reminded him of another song by Luo Mo - "Sunny Day".

However, this song is even more outrageous than "Sunny Day". "Sunny Day" directly sang scales in the song, but this song actually sings the phonetic symbols directly!

But it still makes me feel good when I listen to it.

What appeared next was Luo Mo's singing.

"[Misty, the dream you gave me,

Cracks appear, dull pain,

No matter how we communicate, you are not free.

Saying that I don’t understand is useless.]”

As he kept listening to it, Lu Yi thought to himself: "Now that I hear it, the overall chords of the song are very simple. It seems like there are only three chords."

"But he can also play with three chords!"

It is very, very difficult to make people hear different feelings about simple things.

Later on, the song took on new changes.

"[My sky is filled with rain and wind,

Or a rainbow,

You are manipulating.]”

The lyrics are obviously sad and full of emotional frustration.

The four words "[You are controlling]" directly remove the singing melody, as if they were read directly.

"This kind of transformation will make certain parts of a song stand out." Lu Yi commented in his mind.

"But if you play well, that's what you call outstanding."

"If you don't play well, it will be abrupt."

"Luo Mo's appearance here is very suitable, paving the way for the [pre-chorus] that follows."

Sure enough, after the pre-chorus appeared later, it gave people a very natural feeling.

The song echoes:

"[I hate myself for being so emotional,

My heart is still throbbing,

I’m still touched by the apology I said before we broke up——]”

From the perspective of a composer, Lu Yi feels that the piano sound of this song is a great highlight.

At the same time, he felt that Luo Mo was really good at scales and chords, and he was very daring to play.

There are many inflections here, and there is even a small amount of chromatic descending in the bass.

This creates that feeling of depression and frustration.

But overall, although the melody span is wider than before, it is still... limited.

"We have a conventional method for composing music, which is to widen the span of the melody. In this way, the emotional tension of the song will become greater."

"But Luo Mo is very good at playing melodies with a small span."

"In a small span, the emotions are rendered very well!"

The difference here is that conventional lyricists like them are carving on a big rock.

Luo Mo is different, he is carving walnuts.

--uncanny workmanship!

Under the foreshadowing of the rather violent piano sound, it is announced that the climax of the chorus of the song is about to come.

Many people may not know that the lyrics of this song were also written by Fang Wenshan.

However, when the two collaborated on their first album, it can be said that they didn't like each other.

He felt that Fang Wenshan looked like a courier.

Then because he had been hurt by an Aquarius woman, and Fang Wenshan was an Aquarius, he wanted to stay away from her.

When recording later, the situation was the same:

——You write yours and I sing mine.

For example, Jay Chou made changes when singing "Lady", and Fang Wenshan was so angry that he said he didn't want the money for this song, so you can sing it again!

And the collaboration on "Bullfighting" was also very unpleasant.

The most outrageous thing is that when this man sang "Perfectionism", he only sang three words for dozens of seconds: "Jay Chou, Jay Chou, Jay Chou..."

Hey, I just don’t sing your words, hehe!

You can all picture Fang Wenshan rolling his eyes in your mind.

Later, when Fang Wenshan received the award, he thanked everyone, including all the staff, except Jay Chou.

Relatively speaking, this song "The Clock in the Opposite Direction" may be considered a smoother collaboration in the album...?

Just listen to the chorus spread in the room:

"[The clock that travels through time,

Start moving in the opposite direction...】"

Lu Yi listened to the song and was shocked again.

"It's weird! There are so many weird things. For example, the four words "clock in the picture" are almost one beat in length, but they all start from the second half of the beat and continue to the first half of the next beat.

shoot!"

After a chorus is finished, there is a guitar interlude.

Lu Yi was still intoxicated by the beautiful interlude, marveling at Luo Mo's composition and arrangement.

But who would have thought that he would once again show one of his characteristics - [Luxury]!

The song did not directly enter the B section, but not long after the interlude sounded, a rap came!

No warning, no warning at all!

Moreover, when the melody and beat of the song are so simple, the lyrics of this rap are very piecemeal.

In other words, it is difficult to step on the right foot and sing accurately.

But these fragmentary sentences all rhymed, and Luo Mo sang in a very peculiar rhythm, turning it into a moment of showing off his skills!

"[City neon lights, beating restlessly, dyeing the night sky red,

Everything in the past is like a dream,

I dare not touch it, it hurts just thinking about it.

Heartbreaking content, every second is different, you don’t understand,

Even a word of "treasure" has its own reasons, and I don't want to send it away...]"

A large paragraph of words is output in an extremely compact form at a fast frequency.
To be continued...
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