I personally prefer traditional fairy tales, so I also substituted the settings when writing books. The strength, body and body of this book are divided into two categories: life and life.

The spirit of nature is the vain existence of human connotation, literacy, will and spirit. Practice is mainly reflected in the invisible aspects of magic power, spirit and supernatural powers, which are mainly inward, and are reflected in the behavioral style of a character, wisdom and experience, etc.

Fate skills are the application of spirit and will. Practice is mainly reflected in the application and skills of energy, as well as the strength of the physique, etc. This is more linked to combat power, but it requires practice step by step.

The life aspect is closely related, and they are all related to human combat power. For example, the metaphor of Ziying boss, which is the author of the Shushan Demon Sect, Zi Qing Dushuai, compares humans to tanks and warships. Invisible power, communication and other systems are all about sexual power, while the weapons loaded and the external conditions such as the quality of the fuselage are about life power.

Monsters are obviously good at life-long skills, and their physical fitness and energy are relatively strong, but their power and communication are too poor, their energy is not pure, and the overall quality of parts is not coordinated. The calf pulls a big cart and sees the big guns and cannons very strong, but it is actually a burden. The weakness is too obvious. They often fall into the hands of humans who have been practicing for several years, and humans who have been fighting for decades directly restrain and beat them.

The old monster of Montenegro, Cihang Pudu and the grandmother of the tree demon have fatal weaknesses, so overall they are destined to be unable to fight against outstanding strength. They are taught by their parents and hold Sesshomaru with natural teeth. However, Sesshomaru's natural teeth cannot kill. When he touches the monk Tian of Shanghai, he will be suppressed, just like a wild beast with agility that is higher than humans. When he meets an experienced Taoist and a hunter with equipment in his hands, he can only stop.

Human beings are good at sexual skills and are brave enough to learn. Without these advantages, it is difficult to imagine how human beings should survive in the world of gods and monsters. They may never rise or prosper, and can only be harvested seasonally as food.

The two sides of life are one side and are closely related, but they are only a condition that constitutes combat effectiveness. Moreover, this condition changes in different situations, such as being afraid of taking a mouse, environmental limitations, equipment differences, intelligence differences, cultural differences, etc. There are too many factors for forming combat effectiveness, so I did not use a unified setting, which seemed a bit complicated.

There is a battle power of the protagonist, but he has been growing up. Before modern times, he is pure and pious in his heart, talks about Buddha's teachings, and often recites the Buddha's name, so he has abundant spiritual power, but he can only help, passive defense, sneak attacks with wind acupoints, etc. Later, when he was hitting the Fusang Ghost King He Mao, he was obviously a little drifty, so I arranged for someone to save the scene.

After traveling to modern times, the protagonist's strength has become more of a limitation, and is threatened by the environment, with laws and guns, and has become much more cautious. For example, when he was with Miyake, the protagonist was locked in a cell for the first time and could not even go out. How could he fight him? The second time was with Zhong Fabai, who made Zhong Fabai beat the head of the battle and beat the corpse of an underground tomb in the agency. The protagonist did not dare to go down and used the gasoline bombs, which was for the sake of being easy and convenient, and there was no need to be verbose.
Chapter completed!