Zhang Zhen has not worked with Wang Jiawei, but he feels that Wang Jiawei's requirements for him have increased this time. How can there be a scene without lines filming eleven times? Okay, you are serious, I have a poor performance. So, can the director come over and tell me what you want? Running endlessly, and not telling what effect you want, can you still act in this scene?

It was a bit cold in the night in early November. The staff at the train station were all cold and shrank their necks. Only Zhang Zhen, who was erect and his neck was full of heat, and there was obvious sweat beads on his head.

He went to the show very seriously. Every time he was crowded in the narrow carriage, he tried his best to run...

Shao Yingxiong took advantage of the break and said to Wang Jiawei: "Director Wang, can we try the show first next time? At least don't waste film so much. Isn't it enough to act accordingly after trying it?"

Wang Jiawei was a little unhappy and looked at Shao Yingxiong hard and said, "Can actors get serious if they start filming formally? Is there no pressure to inspire their creative abilities?"

Shao Yingxiong shut up. If he continues to be stubborn, either Wang Jiawei gets angry or he will not be able to hold back. This guy is definitely a choking tube, and he is also the kind of person who covers the sky on the set.

OK, you can do whatever you like.

Shao Yingxiong doesn't care about anyone, he loves anyone, he is not the one who is trying to do anything about him.

He raised his head and looked at Zhang Ziyi in the carriage. He wrapped his fur coat tightly and was sitting in a cold place.

"Prepare!"

Zhang Zhen's whole body was tense and as if he was on a clockwork. Photographer John Thor yawned with the camera and began to concentrate.

"start!"

Zhang Zhen rushed onto the train in one step. Wang Jiawei was not as casual as before, and his eyes were directly stuck into the monitor.

At this moment, Shao Yingxiong was also shocked by the picture!

Under the super image quality of the high-speed camera, everything about Zhang Zhen was presented in the monitor extremely clearly. At that time, Zhang Zhen was sweating on his forehead, and reached out to push the crowd away and snatched into the carriage, sitting opposite Zhang Ziyi.

In that second, time seemed to be frozen. The picture Shao Yingxiong could see in the monitor was that Zhang Zhen’s hair was wet with sweat and wetness, and there was a clear steam in the steam. This kind of heat can only be seen in extremely cold weather on people who had just experienced a lot of exercise!

What does this mean?

It shows that Yixiantian had just performed a lot of exercise, and the injuries on his body and the pale face made up by the makeup artist happened to confirm that he had fought with the Japanese. The fight was very intense.

Just such a flash of scenes in the movie, Wang Jiawei spent so much time to get the actors to find the body characteristics that should appear on their bodies during this period, even if he didn't say anything. But he was doing it.

Time began to flow. The final act of playing the role of Japanese-Soldier rushed into the car and asked others on the car for ID in Japanese. When searching one by one, Zhang Zhenli's face was still in a slight twitch in John Thor's machine. He felt pain. Shao Yingxiong could see at a glance that Zhang Zhen was in pain. Then John Tony began to push the camera forward, and Zhang Zhen in the camera made his eyebrows condense together little by little. The whole process was completed in the moment the camera was pushed forward.

In this scene, Zhang Zhen, who had not seen Shao Yingxiong, did not show Zhang Ziyi a wicked smile that was not afraid of life and death, but also wanted to be provoked. He was performing in a tense state, just like a person deliberately controlling himself and unable to make any difference.

Do Zhang Zhen dare not control it? He was afraid that he would hear the sound of "click". Whoever doesn't believe who would run twelve times in the car!

Zhang Ziyi looked down and decided to sit over almost while looking at this glance. At that second, Zhang Zhen and Zhang Ziyi leaned on the same chair. At that second, Zhang Ziyi, a son and daughter of the world, did not care about the difference between men and women, did not have the drag of ordinary girls, and directly rested her head on Zhang Zhen's shoulder. Zhang Zhen closed his eyes at this moment, and his brows were still tightened.

In the third monitor, a figure flashed through the door of the carriage. The Japanese-Huan soldiers seemed to have discovered something. After a shout, everyone began to retreat, and the entire shot ended here...

"Ok!"

Wang Jiawei picked up the intercom and read a sentence in English quickly. There was no attitude of admiration in the sentence, but turned his head and said to Shao Yingxiong: "This is creation."

He was not talking about himself, but Zhang Zhen's performance.

Shao Yingxiong shrugged without comment. If he had known that this was what Wang Jiawei wanted, he would rather let Zhang Zhen go out for a few laps, and then shoot after he was in the filming process. At least this would save film.

Zhang Zhen heard Wang Jiawei shouting 'ok' and leaning on the chair and gasping for breath. Zhang Ziyi smiled instead: "I'm tired?" asked jokingly.

"I won't say it, who knows?" Zhang Zhen also responded with a joke.

Immediately afterwards, the crew began to film the scene where Zhang Zhen was sitting on a chair bleeding when he was injured, and filmed the scene where Zhang Zhen took out a scraper in the camera. The film was filmed by Zhang Ziyi gently holding Zhang Zhen's hand, allowing the hand holding the knife to transition from violent to gentleness.

Wang Jiawei is such a director. He likes to find the one who can fit him among many choices. In order to wait for that shot to appear, he would rather reshoot it again and again than tell others what he wants. He waited for the actors of his crew to realize the spiritual energy at that moment. Only when this spiritual energy fills the movie can the movie be beautiful and full of Wang Jiawei's style.

This is also the reason why many film reviews have been "very Wang Jiawei" after this drama came out, "This is Wang Jiawei". "The waiting for these years is worth it."

If you take your heart, the audience can feel that there may be unintentional movies in this world that have achieved high box office, but the movies that stand at the highest peak must be the most attentive result.

Shao Yingxiong took out his phone and looked at the time. It was eight:40 now. From six o'clock to the train station, Wang Jiawei took two hours and forty minutes to shoot a shot, a not so important shot. Of course, there was an hour here where the yard workers were setting up the scene, and some of the time was left by Wang Jiawei for Zhang Zhen to think about. More time was the entire crew accompanied Zhang Zhen and Zhang Ziyi, the two actors, frozen together.

According to the schedule, Shao Yingxiong will appear in the next play. He will play the scene where he walks off the train. In the original film of "The Grandmaster", this scene should be Ma San being blocked at the train station by Yitiantian. Then Lao Jiang easily killed the monster, and Zhang Ziyi and Bo Ss were fighting. But this play has been changed by Wang Jiawei. The original meaning was that Zhang Zhen avenged Zhang Ziyi, and he didn't talk about the specific method. Shao Yingxiong was not sure what would be changed. He was an actor who was used to acting according to the script. Now he suddenly had no script in his hand. It was really unaccustomed to only having a thin piece of paper before filming.

After waiting for a while, the props spread the snow that had been prepared long ago on the benches and ground in the train station. It was night now, so there was no need to worry that the snow would melt... At this moment, someone sent a script to Shao Yingxiong.

Similarly, Shao Yingxiong's script is really a thin piece of paper. The lines on it are in the style of "The Grandmaster" that Shao Yingxiong once read. Unfortunately, there is no scene description in the script, nor the mentality of the characters, and the writing is too simple.

The script reads...

a: Ma San.

b: I don't know you.

a: Don’t know, just remember who you owe.

b: You should pay whoever you owe. You can only get the things from the Gong family, and you are not worthy of them.

a: I don’t want anything from the Gong family, it’s deadly.

fighting……

Ma San lost...

b: I have returned my life, and the things from the Gong family will be incomplete.

a: Miss Gong has served the saying in order to seek revenge on you, and it is incomplete.

b:(Wry Smile)

a: Even if something that belongs to others is possessed, it will sooner or later become possessed.

b: I understand. The old man told me about the pass of the old ape hanging seal. I thought it was him who was slow... I returned the Gong family's things.

a: You haven't paid back, your life is what you owe me, because you, Miss Gong, will never get married, will not be able to pass on your skills, and I also lost the woman who saved my life. What I came to take is your life, not something from the Gong family. Remember, when you are a human being in the next life, you must look behind your opponent. Maybe what you don't see at first sight is a disaster of killing.

...

There were only lines and no upper and lower connections, which made Shao Yingxiong not know which part of the plot this was. Because the script had been completely revised and lines were added, Shao Yingxiong felt confused when he came to find Ma San's condition at that time. This was his first time to star in a play that he had no idea at all. After acting for so many years, he felt a little nervous.

Nervous, maybe a little right.

Ma San becomes a Han-Teacher when he meets a master to seek revenge, can he not be nervous at all?

Even if he is crazy, he should have a boundary, just like Ma San's last line. He thought that Gong Baosen was old and could not keep up with the times, so he chose a opposite path under Gong Baosen's deliberate suppression. On this road, he had to face the provocative gazes of others and the scolding of everyone...

Shao Yingxiong slowly seemed to have found a brand new Ma San. This Ma San is different from the original film. He is fierce and domineering, but he is inappropriate, so he said that the Gong family can only take over the things from the Gong family, especially after this sentence, he has to take action first. This is called anger and shame. Since he can't reason, he can only take action.

As an action director, Yuan Heping came over at this time. It was not the first time he worked with Shao Yingxiong, so he was not polite at all: "Xiao Shao, after performing the lines in the front of this scene, you have to have a connection to rush forward. When editing, you will start from this. Is it clear?"

"Yes." Shao Yingxiong nodded.
Chapter completed!